Union Street
With its all-white palette and accents of timber and stone, this charming Subiaco character cottage has been transformed into the family home of our dreams.
DESIGNER Daleki Design • BUILD + DESIGN ADVISOR FTB Design + Consult • PHOTOGRAPHY Jody D'Arcy • STORY Elizabeth Clarke
Felicia Brady's thoughtfully renovated heritage home, occupying 541 sqm on the higher side of Union Street in Subiaco, contains everything a busy family needs to live comfortably. Felicia collaborated with designer Janik Dalecki to create a timeless, high-functioning home that respects its early 1900s origins.
"Janik's style is completely different to mine; [his is] moody and contemporary, and I'm light, bright, and Malibu," she laughs. "We balance each other perfectly!"
Felicia runs FTB, a consultancy that advises commercial and residential clients on their projects, and she and her husband, Simon, are "serial house flippers". For their fourth project, they lived in their cottage while designing its extension.
"It was very dated with a 1980s add-on and needed gutting," Felicia says. "Its new extension simply needed to make the property comfortable for our family, not turn it into a sprawling house where you live separately. I like the tightness of a smaller footprint – it's homely when you can be together."
Restoring the home meant starting from the front door and moving down its elegant hallway. The original lounge was reimagined as the couple's bedroom, with a simple arch added as access to the walk-in-robe (the site of the original kitchen) and generous ensuite. A large stone bath is lit by a skylight, and the space's materials embrace the original building's herringbone floors and solid oak timber cladding, creating "a wall of warmth".
External paving is repeated inside, and beautiful white painted cladding sits on either side of the hallway, concealing a laundry and guest bathroom – a favourite room of Felicia's. "I love the navy kit kat tiles and white tapware that pops brilliantly against them," she says. "The wall mirror is set off the wall, bringing it to life."
On entering the new section, the ceiling purposely drops as you step into the kitchen and dining spaces and then shifts, soaring to its highest point. "It's a pause and sense of relief between the two structures," Janik explains. "Sometimes a transition between the old and new requires a bold approach because it is important to tell the story between the two."
Curves and arches from the original house were imposed in the new addition, which forms an upper-floor pod clad in white battens. Felicia's office and a garden are tucked behind it, with children's rooms nearby.
Beneath the pod, a bank of 70s-inspired breeze blocks creates a chic external undercover living space. "I loved Janik's concept of white battens and brought them inside as floor-to-ceiling balustrades that cast the most beautiful light and shade in winter," Felicia says.
The original cottage floors were lined in jarrah, but Felicia wanted continuity between the old and the new, and good insulation. "The original boards were lovely but draughty, so we overlaid them with engineered oak which flows through the extension," she says.
The main living areas have an open-plan feel yet offer some separation. The kitchen and dining room share a space with a brick wall on either side that accesses the living room. "We wanted some private and public spaces, so we introduced some screening in between," Janik says. "It allows a feeling of cosiness without feeling disconnected from everyone else."
The family eats in a space off the kitchen. A large, fixed window beautifully frames the garden, allowing natural light to illuminate the space. "In winter, the northern light streams in, hits the floor and heats the space, and in summer, the window's overhang prevents it coming in," Felicia says. "It really is the most perfect spot."